Orchard
Gallery Hours: Thurs–Sun 1 to 6

contact@orchard47.org
Rhea Anastas
Moyra Davey
Andrea Fraser
Nicolás Guagnini
Gareth James
Christian Philipp Müller
Jeff Preiss
R.H. Quaytman
Karin Schneider
Jason Simon
John Yancy, Jr.
Anonymous
Current Exhibition:



Future Exhibition:



Past Exhibitions:

Spring Wound
From One O to the Other
11 Sessions
Cookie Cutter
Calendar of flowers, gin bottles, steak bones
Image Coming Soon
Form of a waterfall. Sadie Benning
detourism
On The Collective For Living Cinema
Jef Geys
I Like You and You Like Me
Sylvia Rivera Law Project Art Opening
Around the Corner: Zoe Leonard, Petra Wunderlich, Christian Philipp Müller
Nicolás Guagnini: The Middle Class Goes to Heaven (2005–06)
Dan Graham: Death by Chocolate: West Edmonton Shopping Mall (1986–2005)

Reality/Play
Vera
Heard Not Seen
Having Been Described In Words
Painters Without Paintings and Paintings Without Painters
Small Works For Big Change
Michael Asher, film screening
Stephan Pascher, Lucky Chairs

Martin Beck
September 11. 1973.
Part Three, "Last Minute"
Polish Socialist Conceptualism of the 70s
Part Two
Part One

Andrea Fraser

Andrea Fraser is a New York-based artist whose work has been identified with performance, context art and institutional critique. Since the mid-80s she has produced site-specific performances, videos, installations and publications with museums, galleries and foundations throughout the United States, Europe and Latin America. Major projects include solo performances at the New Museum of Contemporary Art in New York (1986), the Philadelphia Museum of Art (1989), inSITE in San Diego /Tijuana (1997), and the MICA Foundation in New York (2001), as well as installations at the Kunstverein in Munich (1993), the Generali Foundation in Vienna (1995) and the Kunsthalle Bern (1998). Between 1986 and 1996 she was also a member of the feminist performance group The V-Girls. Her performance scripts and essays have appeared in Art in America, Afterimage, October, Texte zur Kunst, Social Text, Critical Quarterly, Documents, and Artforum. A survey of her work was organized by the Kunstverein in Hamburg in 2003 with an accompanying catalog published by Dumont. A collection of her writings, with a foreword by Pierre Bourdieu and an introduction by Alexander Alberro, is available from MIT Press.