Orchard
Gallery Hours: Thurs–Sun 1 to 6

contact@orchard47.org
Rhea Anastas
Moyra Davey
Andrea Fraser
Nicolás Guagnini
Gareth James
Christian Philipp Müller
Jeff Preiss
R.H. Quaytman
Karin Schneider
Jason Simon
John Yancy, Jr.
Anonymous
Current Exhibition:



Future Exhibition:



Past Exhibitions:

Spring Wound
From One O to the Other
11 Sessions
Cookie Cutter
Calendar of flowers, gin bottles, steak bones
Image Coming Soon
Form of a waterfall. Sadie Benning
detourism
On The Collective For Living Cinema
Jef Geys
I Like You and You Like Me
Sylvia Rivera Law Project Art Opening
Around the Corner: Zoe Leonard, Petra Wunderlich, Christian Philipp Müller
Nicolás Guagnini: The Middle Class Goes to Heaven (2005–06)
Dan Graham: Death by Chocolate: West Edmonton Shopping Mall (1986–2005)

Reality/Play
Vera
Heard Not Seen
Having Been Described In Words
Painters Without Paintings and Paintings Without Painters
Small Works For Big Change
Michael Asher, film screening
Stephan Pascher, Lucky Chairs

Martin Beck
September 11. 1973.
Part Three, "Last Minute"
Polish Socialist Conceptualism of the 70s
Part Two
Part One

Orchard was a cooperatively organized exhibition and event space in New York's Lower East Side. The gallery was run by twelve partners of a for-profit limited liability corporation founded for the project. The partners include artists, filmmakers, critics, art historians, and curators, with several combining these activities in their practices. The partners of Orchard have been associated variously with New York experimental film and video scenes, institutional critique, 90s non-yBa practices in Britain, and political conceptualist traditions in North and South America. The partners do not have a univocal position in terms of their working methods or views on art. Instead, Orchard's cooperative framework was intended to put the diversity of its members' practices into discursive motion. The resulting exhibition program reflected these dialogs and the social, geographical and artistic conditions and contradictions of the positions taken within them. Orchard's program largely eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and projects. It also represented a commitment to historically-based artistic criteria, as opposed to market criteria. This commitment was reflected in Orchard's trans-generational mixing of established artists with lesser known artists, and its re-examination of marginalized historical works in the context of contemporary issues and practices. Since opening in May 2005, Orchard has restaged or produced unrealized projects by Michael Asher, Andrea Fraser with Allan McCollum, Dan Graham, and Lawrence Weiner. Orchard has also presented historical works by Daniel Buren, Luis Camnitzer, Juan Downey, Hans Haacke, Roberto Jacoby, Adrian Piper, Anthony McCall and Martha Rosler, as well as new works by Merlin Carpenter, Nicolás Guagnini, Jutta Koether,Josiah McElheny, Lucy McKenzie, Blake Rayne, Stephan Pascher, Jeff Preiss, R.H. Quaytman, Karin Schneider, and Jason Simon, among others. Orchard was a three-year project which was completed on May 25, 2008.
Current Exhibition: